British designer-craftsman Sebastian Cox has designed a
kitchen for English brand DeVol that features rough-sawn timber and panels of
woven beech.

The Sebastian Cox Kitchen is built of sustainably grown
British timber, with solid oak work surfaces and doors in raw ash and beech.
“We have come to think of this look as Urban Rustic,” said DeVol founder Paul
O’Leary. “It brings a little bit of woodland into the city, with some style.”
Woven coppiced-beech panels – a typical Cox touch – are used on the backs of
some of the cabinets, but O’Leary said the designer had to compromise for
practical reasons. “It just had to have some woven coppiced panels, but there
is a conflict of practicality and taste here,” said O’Leary. “We know our
clients and some things are just too much of a stretch away from their comfort
zone.”

The drawers and sink unit are opened using round
copper-lined holes, while the cupboards have small wooden knobs made from
matching wood. Work surfaces are cut from solid pieces of oak. “We’ve created
something that feels clean, simple and light but is brimming with subtle
texture to keep the choice of material front of mind,” said Cox. “It is
immaculately made with really charming details; the doors use very beautiful
sliding dovetails that are visible on the inside.” The carcasses of the units –
which include a triple pan drawer, a sink cabinet, a wall cupboard with glazed
doors and a wide pantry cupboard – are built from birch plywood. Door and
drawer fronts are available either with a natural or dyed blue-black finish.

Sebastian Cox is one of the leading young designers in
Britain’s burgeoning craft movement, which champions the use of traditional
techniques and materials in design. He is known for using coppiced wood – a
traditional method of woodland management that involves cutting down young tree
stems. “I get excited about the prospect of finding a new – to me, or to
contemporary design – set of materials or techniques to learn and draw
inspiration from. If we can develop a product that possesses subtle evidence of
craft, then I believe it resonates with a customer’s primitive maker urges,” he
added. “As a result the customer will enjoy that thing all the more, and
everyone has enjoyed keeping it out of landfill for longer.”




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