The project ECSTASY is an elegant study on a symbolic food,
pure in form, full of value and meaning: the eucharistic host. The recurrence
of eucharistic gesture becomes recurrence of the host, stripped of it’s
religious value and used as texture or employed in oversize format adorned with
digital print. The idea, translated into a dressing table with a basin and
pitcher, can be interpreted on many levels.
The romantic dressing table has been purified, abstracted in
volume and transformed into an “aesthetic altar”. The host’s form repeated on
surfaces generates texture while digital prints use the discs as blank
canvases. The intimate gesture becomes an intimate space for hedonistic
enjoyment.
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